Artists Exhibiting in Momentum: Women/Art/Technology
January 20-April 17, 2015

Mary H. Dana Women Artists Series Galleries, Douglass Library
image Emilia Forstreuter

Emilia Forstreuter is a freelance graphic and motion designer based in Berlin. The idea for her films originates with her interest in how our complex world is created out of seemingly basic modules - cells - that are then repeated and combined to build up complex organisms and structures. Her work has been shown in London, Tokyo, Berlin, Miami, Paris and several other places around the globe. She has won many awards for her films.
Image: Emilia Forstreuter, Yonder

image Jennifer Hall

Jennifer Hall has been working with interactive media for over twenty-five years. She is experienced in a variety of media related forms, and is currently engaged in the re-focusing of biological material as an art medium. Ms. Hall is the Founding Director of the Do While Studio, a Boston-based, not-for-profit organization dedicated to the fusion of art, technology, and culture. In 2000, Ms Hall received the first Rappaport Prize, the largest purse for an individual New England artist. Ms. Hall has installed work at numerous international locations.
Image: Jennifer Hall, REM: 5

image Claudia Hart

Claudia Hart has been active as an artist, curator, and critic since 1988. She creates virtual representations that take the form of 3D imagery integrated into photography, animated loops, and multi-channel animation installations. She has received numerous awards for both her art and writing. Hart is widely exhibited through out the globe. Hart is currently Associate Professor in the department of Film, Video, New Media and Animation at the School of the Art Institute of Chicago.
Image: Claudia Hart, Optic Nude

image Yael Kanarek

Yael Kanarek's interest in the subject of time prompted her to design software that synchs video and audio with the computer clock. She has been integrating her interest in formalist aesthetic with the chaos of daily life into a growing body of these computational videos. Born in Israel, Kanarek has exhibited internationally and received numerous awards. She lives and works in New York City.
Image: Yael Kanarek, Explosion 1960

image Jeannette Louie

Jeannette Louie is a contemporary artist of Chinese descent residing in NJ who journeys into the dystopic diaspora of the human condition. Her videos are screened internationally, including at the upcoming Los Angeles Asian Pacific Film Festival. Her artwork has been shown in museums and galleries, and she is the recipient of numerous awards and fellowships including the Rome Prize from the American Academy in Rome.
Image: Jeannette Louie, Amygdala

image Ranu Mukherjee

Ranu Mukherjee is a multi-disciplinary artist making hybrid films, painting, collage, textiles and collaborative projects. Her work probes ways that contemporary life is shaped by processes of blending cultures and nomadic conditions. She has exhibited in numerous exhibitions and screenings internationally. She is an Associate Professor in both Graduate Fine Arts and Social Practice at California College of the Arts, and a Visiting Professor in New Genres, San Francisco Art Institute.
Image: Ranu Mukherjee, Nearing and Viewing

image Mary Bates Neubauer

Mary Bates Neubauer configures patterns from visual information obtained through real time data streams involving statistics from various instruments recording solar activity. She exhibits her sculpture and digital prints nationally and internationally and has completed several public commissions in the Western states. Her work can be found in a number of private and public collections.
Image: Mary Neubauer, Data Stream Series

image Marie Sivak

Marie Sivak will exhibit her exquisite stone sculptures that incorporate the use of projections and naturally occurring fiber optics, investigating the psychology of memory and the nature of human relationships. Her work has been shown nationally and internationally in Europe, Japan, and South America, and is in many public collections.
Image: Marie Sivak, Vicious

image Camille Utterback

Camille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback's work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in layered and often humorous ways. Awards and honors include a MacArthur Foundation Fellowship, Rockefeller Foundation New Media Fellowship, and a commission from the Whitney Museum. Utterback holds a US patent for a video tracking system she developed while working as a research fellow at NYU. Her work has been exhibited at galleries, festivals, and museums internationally and has been featured in many publications and books.
Image: Camille Utterback, Fluid Studies

image Adrianne Wortzel

Adrianne Wortzel creates unique and innovative interactive web works, robotic and telerobotic installations, performance productions, videos and writings. These works explore historical and cultural perspectives by coupling fact and fiction via use of new technologies in both physical and virtual networked environments. She has been the recipient of many foundation awards and residencies. Exhibition venues include the Whitney Museum of American Art, MIT, Eyebeam Art and Technology Center, NYU, and many others.
Image: Adriane Wortzel, Kiru (from Camouflage Town)

image Janet Zweig

Janet Zweig works primarily in the public realm. Her most recently public installations are in Milwaukee, Orlando, New York City and Pittsburgh. Her work has been exhibited at the Brooklyn Museum of Art, Walker Art Center, and many more. Awards include the Rome Prize Fellowship and NEA fellowships. She teaches at the Rhode Island School of Design and at Brown University.
Image: Janet Zweig, Professor Obsessive and His Two Compulsions

Artists Exhibiting in Momentum: Women/Art/Technology, GRIMANESA AMORÓS
July 28-November 7, 2014

Mary H. Dana Women Artists Series Galleries, Douglass Library
image Grimanesa Amorós

2014-2015 Estelle Lebowitz Visiting Artist in Residence Amorós is a multidisciplinary artist with diverse interests in the fields of social history, scientific research and critical theory. Born in Lima, Peru, she now lives and works in New York City. Amorós is most known for her large-scale light-based public art installations. Her intuitive relationship to technology is a distinctive feature of Amorós' practice. Her works incorporates elements from sculpture, video, lighting, and cutting edge technology to create site-specific installations to engage architecture and create community. She has exhibited around the globe and across the United States, including New York's Times Square and has been the recipient of several grants. A number of her pieces are permanently housed in public and private collections.
Image: Grimanesa Amorós, Light between the Islands #2, 2013

Artists Exhibiting in Trans Technology: Circuits of Culture, Self, Belonging
January 22-June 3, 2013

Mary H. Dana Women Artists Series Galleries, Douglass Library
image Shana Agid

My visual arts practice focuses my convictions, questions, and hunches about power and experiences of identity through an examination of the ways people's and system's histories intersect with and form social, physical, and political environments. My work explores the stories these environments can tell about speculation, longing, and myth at both small and encompassing scales. In my print series and artist books, I use woodcut, screen print, letterpress, digital printing, and movable mechanisms to explore the ways such stories appear in relatively public spaces and what they describe or make visible.
Image: Shana Agid, Tranny Identification Project, What I Don't Say [A Tear-Off Book for Saying It], 2003

image Stephanie Alarcón

I am a technical practitioner, organizer, and crafter. While the subjects of my craft and technical work only occasionally intersect, they almost always share the motivation to take things apart, grasp the underlying logic, and put them back together in a way that is better tailored to my needs, uses available materials, adds new meaning.
Image: Stephanie Alarcón, The Internet: A Series of Tubes, 2006

image Barbie Liberation Organization (BLO)

The Barbie Liberation Organization or BLO, sponsored by RTMark, is a group of artists and activists involved in culture jamming. Culture jamming is a tactic used by many anti-consumerist social movements, to disrupt or subvert media culture and its main stream cultural institutions, including corporate advertising.
Image: Barbie Liberation Organization, Still: Operation Newspeak, 1993-1994

image Zach Blas

My practice incorporates hacktivism, theoretical research, and critical design with queer politics and social practice. I develop tools and interventions for collective acts of aesthetic resistance. Currently, I am developing a series of works that responds to emerging forms of technological control, such as biometrics, cloud computing, tracking technologies, and genomics, by tactics of evasion, escape, disappearance, and illegibility.
Image: Zach Blas, Facial Weaponization Suite: Fag Face Mask, 2011-Present

image Micha Cárdenas

I am a transgender performance and new media artist/theorist. I work in social practice, wearable electronics and intersections of bodies, technology, movements and politics.
Image: Micha Cárdenas,
Still: Becoming Dragon, 2009

image Heather Cassils

I am an artist and a body builder who uses my exaggerated physique to intervene in various contexts in order to interrogate systems of power and control. I create works to reveal how process renders transparent the relationship between thought, behavior and social systems. "The spectacle is not a collection of images, but a social relation among peple, mediated by images." - Guy Debord
Image: Heather Cassils, Advertisement: Homeage to Benglis (with Time Lapse Steroids), 2011

image Zachary Drucker

I am a young transgender artist/performer from Los Angeles, using a range of creative devices that all strive towards the portrayal of bodily identity, my own and that of others, obsessively infusing visual media -- photographs, videos adn performance art -- with acute, masochistic emotional compulsions. Conceiving, discovering, and manifesting myself as "a woman in the wrong world," my work is rooted in cultivating and investigating under-recognized aspects of transgender history, locating myself in that history, and communicating my contemporary experience of gender and sexuality.
Image: Zachary Drucker, Still: One Fist (You have one fist in my mouth, one fist up my ass, and your arms are trapped inside me like a Chinese finger trap), 2010



We are women and women-identified gender minorities and belonging to various generations and speak many different languages, we share a desire to shape the world we live in and are activists in making conscious choices about the technology we use. The Genderchangers operate on an informal, ad-hoc, D.I.Y., hands-on basis in a non-purpose-driven, non-competitive atmosphere of mutual respect. The Genderchangers act as a catalyst for participant-driven events, our emphasis is on experiential knowledge acquisition, expanding skills and insights through exchange and collaboration and learning by explaining/doing (not for instance, by R.T.F.M.).
Image: Genderchangers, Genderchangers Logo

image Georgia Guthrie

I am a designer and maker based in Philadelphia, PA. I work at the Action Mill, where I use design thinking to help solve big, intangible problems. I am also the Director of The Hacktory, where I work to create opportunities for anyone to creatively tinker and learn about technology.
Image: Georgia Guthrie, Compulsive Repurpose, 2012

image Jacolby Satterwhite

I use video, performance, 3-D animation, fibers, drawing and painting to explore themes of memory, desire, ritual, and heroism.
Image: Jacolby Satterwhite, Still: Reifying Desire (3 and 5), 2011

image Sandy Stone

My work explicates and ramifies the Clinton-Hazel-Davis Postulate (G. Clinton, E. Hazel, and R. Davis, 1970): "Free your mind and your ass will follow."
Image: Sandy Stone, Still: Public Genitals Project, 1998-1999


The images are all copyright of the artists. All rights reserved. No commercial reproduction, adaptation, distribution, or transmission of any part or parts of the images by any means whatsoever is permitted without the prior written permission of the artists.